How to control your volume when singing
Erratic volume is the opposite fault to flat dynamics — measured as uncontrolled variation, and fixed with breath management rather than restraint.
What it sounds like
The performance jumps. Some words are far louder than the ones around them, the level lurches between phrases, and it is not doing it for effect.
What is actually being measured
The standard deviation of the vocal level in decibels — how much the volume moves in ways that are not a shaped, intentional dynamic.
Uncontrolled dynamics open as a problem above 15 dB of level deviation, with severity rising from there.
Why it happens
Erratic level is usually breath management, not intent. Air arrives in bursts, so the notes it lands on are loud and the ones after it are not. Microphone technique produces the same reading: a singer who moves toward and away from the mic is recorded as changing volume whether or not they were.
How to fix it
- Fix the microphone distance first. A consistent distance removes a large part of this before any technique changes.
- Sustain long tones at a target level and hold it — the exercise is the constancy, not the note.
- Watch for jumps on high notes specifically. A note that needs more pressure often gets far more than it needed.
- Distinguish this from dynamics: the goal is not a quieter performance, it is a level that only changes when you decide it should.
The drill
Long held tones at a constant level, then deliberate two-step changes between levels, so control is trained separately from range.
Run a 30-second quick check
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Run a 30-second quick checkCommon questions
Is this the same problem as flat dynamics?
It is the opposite one, and they are detected separately for that reason. Flat dynamics means the volume never moves; uncontrolled dynamics means it moves without being asked to. The drills point in opposite directions, so opening the wrong problem would send a singer the wrong way.